Thursday, October 21, 2010

All kinds of things here :)

Clearly from the picture there I’m still just incredibly inspired by the malabiltiy of modeling clay over [verses] apoxy sculpt still . No idea where the new bust is going (I started that tonight instead of a new medallion as I'm running out of relief ideas and am tossing a lot out so I wanted to switch it up by going fully 3d again). The black resin casting medallion is the prototype back from the casters, with all the little whisker bumps and such on her now... the other one just needs a touch up around the grass and he's ready to go out tomorrow/Sat too (well after a light mist of primer to make sure there's nothing missed there & take away the shiny some too).

I’m quite excited that the casters say they’ll be happy to make these medallions in their cold cast metallic finishes. These cold castings are just terrific. They look, feel and smell just like the real foundry created thing because they are metal (bronze, nickel-silver) powder added to the resin. Not to be confused with my metallic paint jobs- where I just use pearl and a few colors to mimic metals altogether… I would also like to try gold or copper leaf work someday. Perhaps someday soon! I’d like to make the mane/tails a different metal altogether. I have the most wonderful Fly Fishing resin by Kelly Savage of two horses grooming each other – she managed to pour two different metallic resins into the same mold to make a pewter colored and a bronzy colored horse. I adore this! They get “polished” so the relief areas are darker, it doesn’t look like NAN plaques for example. It’s very easy to confuse with the real thing until you pick up a bigger piece. I have my own personal copies of my resins in, which works for me b/c they can get shuffled around a lot, like right now everyone is jumbled into a box waiting for display shelves to go up. And I don’t have to worry about finishes getting damaged while they’re in storage.

One thing I’ve been neglecting badly is finishwork commissions. I’ve written to everyone who has a horse here now so if you haven’t heard from me well.. my emails haven’t gotten through? Anyhow, as they know, I have a small ton of things making it physically hard to paint over here, but after I wrap up these medallions tonight (tomorrow am?).. well it’ll be time to push away from the sculpting table for a bit until these last paint jobs are wrapped up.

I have that maroon Morganesque (baroque!) ;) pony there (Johann) so that I’ll be pushing myself harder to address the long overdue painted horses to get back to that to wrapping him up before the end of this year. I may do like I did with bitty & release to my group only, just before Christmas until the end of the year rather than just a shorter time period. Just haven't decided yet, so hard to gauge the market to be totally honest. I hope I can trust myself to work on him only in short stints if I’m making good headway on the finished horses that have priority now…. Bottom line is the pace needs to pick up here for me in a bunch of ways basically. The humidity and temp fluxuations in here have gone way down so that’ll help a LOT in the painting area too (being more comfortable). I’ll still be working side by side with another human in here in a pretty small area but that’s just a “deal with it” deal I guess (we can spend camping trips in similarly small spaces together… I suppose this bodes well for when he retires and will be around all the time again). I do kind of miss listening to my blaring TV (tuning it out all day long). So ironically it’s MORE quiet with him around all the time (like a library). ;)

So.. once more I’m up late here. Hope it all made sense. My early morning and late even compositions rarely do. Just thought I should jot something down here about the medallions being done basically & especially about the metallic options. I’d designed them from the beginning to be geared towards this look for my family gifts but they do cost me almost 3x more so I dunno if I’ll try a mixture of painting and leaf or what I’ll do..

Ok, time for bed here - eep! Hopefully next week I'll be sharing the medallion page here. Before then news is limited to my group for a bit (yadda yadda always the same wording - sorry!). :)\

The wee mini in the left-most corner is not sculpted by me btw! That was a gift from Sonya Johnson - it's her mini Teke I thought was just terrific! The horse skeleton you see too was just recently (last week) assembled by my man as well (he assembled that whole horse skeleton so he could clean up more and get rid of the box... not kidding!). I have gotta laugh about this irony - I used to joke to my friends that I need to be rich enough to hire house boys to cook and clean for me... little did I know you don't need to be rich for this - ha! (:-P No but sincerely, how flipping sweet is he, eh? (I've assembled one long ago that broke to bits long ago so he knew I wasn't going to mess with one of those kits again! And he still did it. What a great guy.) :)


Anonymous said...

What about the big flying horse in the right hand side of the picture? He looks really nice. Is he in the works or are you planning to release him sometime? He looks like he would make a great show horse.

Morgen said...

I had to really stop and think for a while about who the flying horse might be? The levitating one in clay that's sniffing down at the pony you mean? Yeah, I'm pretty jazzed up about him. I'm thinking of redoing the pony looking at him in clay too, so that I can take the pony down to be a hair smaller and then have them kind of be a "pair". I'm not sure I'd actually sell them as a pair but they really look cute together I think! Anyhow, the horse floating there is seen in a previous post in full. He really hasn't gotten any attention beyond those 2 or 3 days yet. I'm trying to pace myself and focus. :D Tx for the kind words!!